dc.contributor.author |
le Roux, Hannah
|
|
dc.contributor.author |
Southwood, David
|
|
dc.contributor.author |
Duker, Rob
|
|
dc.date.accessioned |
2014-01-14T13:26:27Z |
|
dc.date.available |
2014-01-14T13:26:27Z |
|
dc.date.issued |
2008-07-31 |
|
dc.identifier.citation |
Le Roux, Hannah. 2008. Architecture from the frontline. Domus 916:2008 July 31 pp44-50 |
en_ZA |
dc.identifier.uri |
http://hdl.handle.net10539/13474 |
|
dc.description |
Holcim Awards.
Text: Le Roux,Hannah
Design: Noero Wolff Architects
Photos: Southwood,David; Duker,Rob |
en_ZA |
dc.description.abstract |
The photographs of Noero Wolff’s Red Location Museum suggest a post-traumatic state: all debris, dust and raw material, roaming children, and a tight, almost tense order that holds it all together. The building has striking composure, but it is the gritty setting that locates it in a compelling narrative. Noero Wolff won the commission in an open competition in 1998. The brief envisaged a museum and craft centre to celebrate South Africa’s history of struggle at its heart, in Red Location, an old township that had shown strong resistance to apartheid. The post-apartheid government developed such sites as a policy of representation: unable to bring immediate wealth to their vast numbers of impoverished supporters, it invested in symbolic projects for museums and parks that could bring the subsequent benefits of tourism. |
en_ZA |
dc.language.iso |
en |
en_ZA |
dc.publisher |
Domus |
en_ZA |
dc.subject |
Art Spaces, Human Rights |
en_ZA |
dc.title |
Architecture from the frontline. |
en_ZA |
dc.type |
Article |
en_ZA |