dc.contributor.author |
Martienssen, Rex D
|
|
dc.date.accessioned |
2010-07-06T09:36:56Z |
|
dc.date.available |
2010-07-06T09:36:56Z |
|
dc.date.issued |
1936-09 |
|
dc.identifier.citation |
SA Architectural Record vol 21 no 9 June 1935 pg280-283 |
en_US |
dc.identifier.uri |
http://hdl.handle.net/10539/8271 |
|
dc.description.abstract |
Art Implies human intervention; the impact of a creating will on inanimate material, but in the functioning of this humanizing agency the outcome is coloured by economy. To evoke a response it is not necessary to re-create the whole idea or form conceived in the mind it is sufficient to evoke a reaction in temrs of a symbol. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
Transvaal, Natal and Orange Free State Provincial Institutes of South African Architects and the Chapter of South African Quantity Surveyors |
en_US |
dc.subject |
Martienssen, Rex D |
en_US |
dc.subject |
Dorian Colonial Architecture |
en_US |
dc.subject |
Sicily |
en_US |
dc.subject |
Greek Architecture |
en_US |
dc.subject |
Greek Sculpture |
en_US |
dc.title |
The Changing Generator in Greek Sculpture |
en_US |
dc.type |
Article |
en_US |